Emma Weiss (she/her) is a freelance performing artist currently based in NYC, performing in staged work, film, music videos, and musicals. She has had the honor to perform works by Austin Goodwin, Eamon Foley, Akira Uchida, Olga Rabetskaya, Victor Quijada/RUBBERBAND DANCE, Peter Chu, Madi Hicks, Hannah Garner/2nd Best Dance Company, Loni Landon, Andrea Salazar, Amy Miller/Gibney Company, Gregory Lau, and Kevin Pajarigilla. She currently dances for OR Works, and Annie Rigney, and works closely to assist choreographers Eamon Foley, and Stephanie Troyak. Some credits include performing for Wiederhoeft SS25 in NYFW, moving for ARRI’s newest camera release, dancing in the ACE awards, and moving for Amarildo Ruçi's fashion week presentation. Emma graduated Summa Cum Laude with a BFA in Dance and BA in Arts Management from the Conservatory of Dance at Purchase College, SUNY. This is her second time showing work at Green Lung, and she is thrilled to be back.

Described as “anything but conventional” by Dance Magazine, Teddy Tedholm is a NYC-based choreographer, educator, and director of tedted Performance Group whose work bridges contemporary technique, theatricality, and site-responsive design. A graduate of the University of the Arts (BFA, 2013), Teddy has created and presented work across North America, including the evening-length Blue Horizon (Center for Performance Research, 2023); Comedy of Terrors (premiered at Nashville’s Kindling Arts Festival with subsequent selections in Seattle’s Men in Dance, 2022); The Vision in Eight Parts (Dance Gallery Festival/Ardsley Choreographic Residency, 2021); and 95 POEMS (NYC Artist Corps production grant, 2021). His dance films—most notably Don’t Miss It—have screened internationally (Dance Camera West, POOL Berlin, CASCADIA, and more), earning Best Dance Film at IndieBOOM! (2018) and Dance Magazine’s Video of the Month (June 2019).

Recent support includes residencies at Djerassi Resident Artists Program (2024) and Ucross Foundation (2024), as well as an Artist-in-Residence engagement with GALLIM/CreateART (2019). Performance and collaborative credits include work with Sidra Bell, Douglas Becker, Curt Haworth, Erica Sobol, Netta Yerushalmy (PICTOGRAMS, Ailey Citigroup Theater), Julie Mayo (Roulette Intermedium), and Kate Sicchio (New York Hall of Science/algorithmic dance). He studied with Deborah Hay (“Finding Coherence,” 2022) and performed in her Without Fanfare (2024). He also participated in Doug Varone’s DEVICES choreographic mentorship (2017).

Tedholm’s choreographic voice has been recognized as a finalist at the McCallum Theatre Choreography Festival, REVERB, and the Capezio ACE Awards (two-time finalist). As an educator, he teaches on faculty at Peridance (previously Broadway Dance Center) and is sought after for workshops and commissions worldwide, while directing tedted Performance Group in transforming New York spaces—from living rooms to riversides—into fully realized performances.

Emma Weiss (she/her) is a freelance performing artist currently based in NYC, performing in staged work, film, music videos, and musicals. She has had the honor to perform works by Austin Goodwin, Eamon Foley, Akira Uchida, Olga Rabetskaya, Victor Quijada/RUBBERBAND DANCE, Peter Chu, Madi Hicks, Hannah Garner/2nd Best Dance Company, Loni Landon, Andrea Salazar, Amy Miller/Gibney Company, Gregory Lau, and Kevin Pajarigilla. She currently dances for OR Works, and Annie Rigney, and works closely to assist choreographers Eamon Foley, and Stephanie Troyak. Some credits include performing for Wiederhoeft SS25 in NYFW, moving for ARRI’s newest camera release, dancing in the ACE awards, and moving for Amarildo Ruçi's fashion week presentation. Emma graduated Summa Cum Laude with a BFA in Dance and BA in Arts Management from the Conservatory of Dance at Purchase College, SUNY. This is her second time showing work at Green Lung, and she is thrilled to be back.

Described as “anything but conventional” by Dance Magazine, Teddy Tedholm is a NYC-based choreographer, educator, and director of tedted Performance Group whose work bridges contemporary technique, theatricality, and site-responsive design. A graduate of the University of the Arts (BFA, 2013), Teddy has created and presented work across North America, including the evening-length Blue Horizon (Center for Performance Research, 2023); Comedy of Terrors (premiered at Nashville’s Kindling Arts Festival with subsequent selections in Seattle’s Men in Dance, 2022); The Vision in Eight Parts (Dance Gallery Festival/Ardsley Choreographic Residency, 2021); and 95 POEMS (NYC Artist Corps production grant, 2021). His dance films—most notably Don’t Miss It—have screened internationally (Dance Camera West, POOL Berlin, CASCADIA, and more), earning Best Dance Film at IndieBOOM! (2018) and Dance Magazine’s Video of the Month (June 2019).

Recent support includes residencies at Djerassi Resident Artists Program (2024) and Ucross Foundation (2024), as well as an Artist-in-Residence engagement with GALLIM/CreateART (2019). Performance and collaborative credits include work with Sidra Bell, Douglas Becker, Curt Haworth, Erica Sobol, Netta Yerushalmy (PICTOGRAMS, Ailey Citigroup Theater), Julie Mayo (Roulette Intermedium), and Kate Sicchio (New York Hall of Science/algorithmic dance). He studied with Deborah Hay (“Finding Coherence,” 2022) and performed in her Without Fanfare (2024). He also participated in Doug Varone’s DEVICES choreographic mentorship (2017).

Tedholm’s choreographic voice has been recognized as a finalist at the McCallum Theatre Choreography Festival, REVERB, and the Capezio ACE Awards (two-time finalist). As an educator, he teaches on faculty at Peridance (previously Broadway Dance Center) and is sought after for workshops and commissions worldwide, while directing tedted Performance Group in transforming New York spaces—from living rooms to riversides—into fully realized performances.